Italy Screen Barometer
Week 2026-W27 (29 June – 5 July 2026) · published 6 July 2026 · methodology
In the week of 29 June – 5 July 2026, Minions & Monsters was the most widely screened film in Italy, playing at 555 of 737 active cinemas (75.3%). 247 films screened nationwide across approximately 43,077 showtimes.
Most widely screened films
Ranked by distinct cinemas that played each film during the week — the barometer's primary metric. Share is the percentage of Italy's 737 active cinemas.
| # | Film | Cinemas | Share | Screenings | WoW |
|---|---|---|---|---|---|
| 1 | Minions & Monsters | 555 | 75.3% | 14,950 | new |
| 2 | Toy Story 5 | 460 | 62.4% | 8,100 | -17.3 pts |
| 3 | Supergirl | 411 | 55.8% | 5,495 | +28.3 pts |
| 4 | Disclosure Day | 370 | 50.2% | 3,736 | -29.1 pts |
| 5 | Obsession | 172 | 23.3% | 1,292 | -10.0 pts |
| 6 | Backrooms | 157 | 21.3% | 1,146 | -12.7 pts |
| 7 | Jackass: Best and Last | 154 | 20.9% | 782 | +3.3 pts |
| 8 | Scary Movie | 143 | 19.4% | 1,064 | -27.7 pts |
| 9 | What is Love? | 128 | 17.4% | 870 | +8.6 pts |
| 10 | Good Luck, Have Fun, Don't Die | 85 | 11.5% | 508 | -0.4 pts |
Climbers & faders
Biggest week-over-week screen-share moves among films playing both weeks (at least 5 cinemas in either week).
Climbers
- Supergirl 122 → 411 cinemas +28.3 pts
- What is Love? 39 → 128 cinemas +8.6 pts
- After Life 1 → 34 cinemas +4.4 pts
Faders
- Kiss of the Spider Woman 188 → 5 cinemas -41.7 pts
- Fuze 160 → 16 cinemas -33.9 pts
- Disclosure Day 352 → 370 cinemas -29.1 pts
IMAX allocation
293 IMAX screenings ran across 9 IMAX-equipped cinema s in Italy this week. Which titles got the premium screens:
| Film | IMAX screenings | Share of IMAX |
|---|---|---|
| Minions & Monsters | 205 | 70.0% |
| Supergirl | 43 | 14.7% |
| Toy Story 5 | 43 | 14.7% |
| Disclosure Day | 2 | 0.7% |
Market totals
| Week | Active cinemas | Films | Screenings | IMAX screenings | IMAX cinemas |
|---|---|---|---|---|---|
| 2026-W27 | 737 | 247 | 43,077 | 293 | 9 |
| 2026-W26 | 444 | 189 | 28,452 | 237 | 9 |
Distinct-cinema reach is the primary metric; screening counts are approximate (schedule corrections can briefly double-count a corrected screening). Full notes on the methodology page.