Spain Screen Barometer
Week 2026-W27 (29 June – 5 July 2026) · published 6 July 2026 · methodology
In the week of 29 June – 5 July 2026, Minions & Monsters was the most widely screened film in Spain, playing at 361 of 485 active cinemas (74.4%). 333 films screened nationwide across approximately 67,521 showtimes.
Most widely screened films
Ranked by distinct cinemas that played each film during the week — the barometer's primary metric. Share is the percentage of Spain's 485 active cinemas.
| # | Film | Cinemas | Share | Screenings | WoW |
|---|---|---|---|---|---|
| 1 | Minions & Monsters | 361 | 74.4% | 14,500 | +74.2 pts |
| 2 | Toy Story 5 | 354 | 73.0% | 12,977 | -3.6 pts |
| 3 | Obsession | 311 | 64.1% | 8,521 | +3.7 pts |
| 4 | Supergirl | 310 | 63.9% | 7,538 | +1.4 pts |
| 5 | Disclosure Day | 310 | 63.9% | 4,956 | -3.7 pts |
| 6 | Backrooms | 292 | 60.2% | 3,072 | -5.8 pts |
| 7 | Scary Movie | 224 | 46.2% | 1,910 | -13.4 pts |
| 8 | Michael | 176 | 36.3% | 1,233 | -13.3 pts |
| 9 | The Death of Robin Hood | 160 | 33.0% | 1,358 | +30.9 pts |
| 10 | Akira | 144 | 29.7% | 537 | new |
Climbers & faders
Biggest week-over-week screen-share moves among films playing both weeks (at least 5 cinemas in either week).
Climbers
- Minions & Monsters 1 → 361 cinemas +74.2 pts
- The Death of Robin Hood 10 → 160 cinemas +30.9 pts
- Viaje al país de los blancos 112 → 132 cinemas +4.3 pts
Faders
- Masters of the Universe 222 → 86 cinemas -27.8 pts
- All That We Never Were 166 → 35 cinemas -26.8 pts
- The Mandalorian and Grogu 194 → 94 cinemas -20.4 pts
IMAX allocation
148 IMAX screenings ran across 6 IMAX-equipped cinema s in Spain this week. Which titles got the premium screens:
| Film | IMAX screenings | Share of IMAX |
|---|---|---|
| Supergirl | 73 | 49.3% |
| Minions & Monsters | 59 | 39.9% |
| Disclosure Day | 16 | 10.8% |
Market totals
| Week | Active cinemas | Films | Screenings | IMAX screenings | IMAX cinemas |
|---|---|---|---|---|---|
| 2026-W27 | 485 | 333 | 67,521 | 148 | 6 |
| 2026-W26 | 488 | 402 | 65,393 | 128 | 6 |
Distinct-cinema reach is the primary metric; screening counts are approximate (schedule corrections can briefly double-count a corrected screening). Full notes on the methodology page.